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Whipsaw (1935, Sam Wood)
Whipsaw takes some detours, but eventually reveals itself as an unlikely road picture… albeit one with limited stops. The first few scenes are in London, with a lot of exposition introducing Myrna Loy...
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Mark of the Vampire (1935, Tod Browning)
MGM cut at least twenty-five percent out of Mark of the Vampire, which accounts for some of the plotting problems but still leaves the film a little messy. Ben Lewis’s editing is weak during dialogue...
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